As noted the other day, Ovid's Daedalus has much in common with his Arachne. Both are painstaking artificers who seek to go beyond merely imitating nature. Daedalus' design for the labyrinth of Crete was, Ovid notes, inspired by the Maeander River, near Miletus in ancient Caria:
No differently from the way in which the watery Maeander deludes the sight, flowing backwards and forwards in its changeable course, through the meadows of Phrygia, facing the running waves advancing to meet it, now directing its uncertain waters towards its source, now towards the open sea:His design for his escape from Crete was based upon nature's model as well:
he applied his thought to new invention and altered the natural order of things. He laid down lines of feathers, beginning with the smallest, following the shorter with longer ones, so that you might think they had grown like that, on a slant. In that way, long ago, the rustic pan-pipes were graduated, with lengthening reeds. Then he fastened them together with thread at the middle, and bees’-wax at the base, and, when he had arranged them, he flexed each one into a gentle curve, so that they imitated real bird’s wings. (Kline)Like Arachne, Daedalus is entirely absorbed by his art, his techne. He is a problem solver. He solves Pasiphae's problem, then has to contain the problematic issue of that "solution" for Minos: